{"id":"linked-art/LinkedArtPRD","relativePath":"linked-art/LinkedArtPRD.md","title":"🖼️ Product Requirements Document","markdown":"\n# 🖼️ Product Requirements Document  \n## **State‑of‑the‑Art Linked Art Web Application**\n\n---\n\n## 🎯 **1. Product Vision & Objectives**\n\nThe goal is to build a **state‑of‑the‑art cross‑collection discovery platform** powered by the **Linked Art** data model (a profile of **CIDOC‑CRM**) to unify cultural heritage data across museums, libraries, and archives.\n\nThe platform emphasizes:\n\n- **Maximizing usable open data**  \n- **Balancing ontological rigor with developer accessibility**  \n- **Supporting ~90% of common cultural heritage use cases** without forcing unnecessary semantic complexity  \n\n---\n\n## 👥 **2. Target Audience & Personas**\n\n### 🏛️ **Data Creators & Catalogers**  \nMuseum and library staff who need intuitive backend interfaces to create semantic relationships **without touching raw JSON‑LD**.\n\n### 💻 **Developers & Data Consumers**  \nTechnologists who require predictable, well‑structured **JSON‑LD REST APIs** for downstream apps, UI layers, and integrations.\n\n### 🔍 **Researchers & Public Users**  \nEnd users who want **visual, exploratory discovery tools** that hide graph complexity while surfacing rich contextual connections across institutions.\n\n---\n\n## 🚀 **3. Key Features & Functionality**\n\n### A. 🏗️ Backend Data Management & Ingestion\n\n- **[Semantic Abstraction UI](ca://s?q=Explain_Semantic_Abstraction_UI)**  \n  Use an Arches‑based framework (e.g., **Ogee**) to provide user‑friendly forms that automatically generate Linked Art‑compliant JSON‑LD.\n\n- **[Automated Authority Reconciliation](ca://s?q=Describe_Authority_Reconciliation)**  \n  Pipelines reconcile legacy strings against **Getty AAT/ULAN/TGN**, **LoC**, and **Wikidata**.\n\n- **[Legacy Data Transformation](ca://s?q=Legacy_Data_Transformation_ETL)**  \n  ETL pipelines convert flat CMS exports (XML/JSON/CSV) into structured Linked Art nodes.\n\n---\n\n### B. 🔎 Discovery & Search Architecture\n\n- **[Hybrid Datastore](ca://s?q=Hybrid_Datastore_Architecture)**  \n  Support both:\n  - JSON‑LD document storage (fast faceted search)  \n  - Triple stores (deep graph querying)\n\n- **[Advanced Graph Querying](ca://s?q=Advanced_Graph_Querying)**  \n  Enable multi‑entity, cross‑collection questions such as:  \n  *“Find works by European artists depicting the American West in the 19th century.”*\n\n---\n\n### C. 🎨 Advanced UI & Visualizations\n\n- **[Entity Knowledge Panels](ca://s?q=Entity_Knowledge_Panels)**  \n  First‑class pages for people, places, and concepts enriched with Wikidata/dbPedia context.\n\n- **[Interactive Concertina Lists & Histograms](ca://s?q=Concertina_Lists_and_Histograms)**  \n  Dynamic browsing of large datasets (e.g., artists by birth year, exhibition histories).\n\n- **[Overlapping Timelines & Interactive Maps](ca://s?q=Linked_Art_Timeline_and_Map_Visualizations)**  \n  Zoomable timelines + map layers linked to gazetteers like **PeriodO**.\n\n- **[IIIF Image Integration](ca://s?q=IIIF_Integration_Overview)**  \n  Deep zoom, high‑resolution viewing, and side‑by‑side comparisons.\n\n---\n\n## 🧩 **4. Data Architecture & Modeling**\n\n- **[Event‑Centric Structure](ca://s?q=Event_Centric_Modeling_Linked_Art)**  \n  Shift from object‑centric to **activity‑centric** modeling: production, provenance, exhibitions, etc.\n\n- **[Entity Separation](ca://s?q=Entity_Separation_in_Linked_Art)**  \n  Distinguish:\n  - Physical object  \n  - Visual item  \n  - Digital object  \n  Prevents redundant data entry and improves reuse.\n\n- **[Standardized Vocabulary Integration](ca://s?q=Standardized_Vocabulary_Integration)**  \n  Enforce hierarchical concept vocabularies for seamless navigation and faceted filtering.\n\n---\n\nIf you'd like, I can also generate:\n\n- a **diagrammatic architecture map**,  \n- a **feature‑to‑persona matrix**,  \n- or a **roadmap with milestones**.\n\nThis is a very strong baseline PRD that accurately captures the core philosophy of Linked Art (CIDOC-CRM profile), its dual audience, and the necessary tech stack.\n\nHowever, to make this truly **State-of-the-Art (SOTA)** for modern software development and current cultural heritage standards, we need to bridge the gap between traditional semantic web technologies and modern AI/data paradigms, while also filling out standard PRD structural gaps (KPIs, Risks, Out-of-Scope).\n\nHere is how we can improve and elevate this PRD:\n\n### 1. 🤖 Inject Modern \"SOTA\" AI & Data Capabilities\n\nThe current PRD describes a standard 2020-era Linked Art implementation. To make it cutting-edge, integrate these features:\n\n- **AI-Assisted Legacy ETL & Mapping:** Mapping legacy CMS data (TMS, EMu, Adlib) to CIDOC-CRM is notoriously difficult. Add an **LLM-assisted mapping pipeline** that analyzes legacy data schemas and suggests Linked Art JSON-LD mappings.\n    \n- **Natural Language to Graph (NL2Graph):** Instead of expecting researchers to write SPARQL or complex API queries, integrate an LLM layer that translates natural language questions (\"Find works by female European artists exhibiting in Paris before 1900\") directly into graph queries.\n    \n- **Graph RAG (Retrieval-Augmented Generation):** Combine the structured knowledge graph with vector databases to allow users to \"chat with the collection,\" backed by verifiable CIDOC-CRM citations to prevent hallucinations.\n    \n\n### 2. 🏛️ Strengthen Cultural Heritage Domain Specifics\n\n- **Activity Streams for Data Syndication:** Linked Art relies heavily on the **ActivityStreams** specification to sync data between institutions. Your PRD needs a section on how this platform publishes and consumes data updates.\n    \n- **Deep Provenance Modeling:** Emphasize the modeling of **ownership history**. Provenance is a massive use case for Linked Art; the UI must support visualizing chronological chains of ownership, identifying gaps, and flagging red-flag eras (e.g., WWII-era spoliation).\n    \n- **Rights & Licensing Statements:** Explicitly include support for **RightsStatements.org** and Creative Commons in the data model. Discovery is useless if developers don't know if they can legally use the image.\n    \n\n### 3. 📊 Add Missing \"Product Management\" Sections\n\nA professional PRD needs to define what success looks like and what could go wrong.\n\n- **Success Metrics (KPIs):**\n    \n    - Data Quality: % of records successfully reconciled to Getty AAT/ULAN.\n        \n    - Performance: API response time < 200ms for hybrid graph queries.\n        \n    - Adoption: Number of external API calls, Monthly Active Users (MAU) on the discovery portal.\n        \n- **Non-Functional Requirements (NFRs):** Accessibility (WCAG 2.1 AA compliant—crucial for museums), internationalization (i18n), and mobile-responsive UI.\n    \n- **Out of Scope:** Explicitly state what you are not building (e.g., \"This is NOT a replacement for the museum's core Collections Management System (CMS). It is a downstream publication layer.\")\n    \n- **Risks & Mitigations:** Mention the steep learning curve of CIDOC-CRM and mitigate it via the \"Semantic Abstraction UI\" you outlined.\n    \n\n---\n\n### 📝 How the Improved Sections Look in the PRD:\n\nAdd the following sections to your document to instantly elevate it:\n\n#### **🆕 5. Syndication & Interoperability**\n\n- **ActivityStreams Integration:** Implement a W3C ActivityStreams endpoint to broadcast creations, updates, and deletions. This allows external aggregators to \"subscribe\" to the museum's data changes in real-time.\n    \n- **Jupyter Notebook & Data Dumps:** Provide automated, regular JSON-LD data dumps and maintain a repository of Jupyter Notebooks demonstrating how researchers can query the dataset natively in Python.\n    \n\n#### **🆕 6. Modern AI & Machine Learning Enhancements**\n\n- **LLM-Assisted Reconciliation:** Utilize fine-tuned models to assist catalogers in reconciling ambiguous entity names against Wikidata and Getty vocabularies, reducing manual data entry.\n    \n- **Semantic Vector Search:** Complement the exact-match graph querying with vector search (embeddings of artwork descriptions and visual IIIF features) to enable \"find similar artworks\" functionality even without perfect metadata.\n    \n\n#### **🆕 7. Success Metrics & KPIs**\n\n- **Data Enrichment:** >80% of imported records enriched with at least 3 external URIs (ULAN, AAT, TGN).\n    \n- **API Performance:** 95th percentile query response time under 300ms.\n    \n- **System Uptime:** 99.9% uptime for the public-facing IIIF and JSON-LD endpoints.\n    \n\n#### **🆕 8. Out of Scope (For MVP)**\n\n- Replacing the institution's primary CMS (e.g., TMS, EMu, or Qi).\n    \n- Native ingestion of raw audio/video files (focusing strictly on IIIF image and text metadata for MVP).\n    \n\n---\n\n### Where to go next?\n\nI recommend generating the **Diagrammatic Architecture Map** next.\n\nBecause we are talking about a hybrid datastore (Triple Store + Document DB), an ETL pipeline from legacy CMS systems, IIIF servers, and a new AI query layer, visualizing how data flows from the Museum CMS ➡️ ETL Pipeline ➡️ Linked Art Graph ➡️ React/Next.js Frontend is the most crucial next step to get engineering buy-in.\n\nWould you like me to map out that Architecture Diagram detailing the specific modern tech stack (e.g., Elasticsearch + Blazegraph/Neptune + Next.js + IIIF Image Server)?\n\nHere is the upgraded 10/10 PRD.\n\nI have removed the residual citation markers, added a concrete 3-phase rollout roadmap, explicitly defined the reconciliation logic (using external authorities), and established strict API security and rate-limiting requirements to protect the database from heavy graph queries.\n\n![🎨](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f3a8/32.png) Linked Art Web Application — Product Requirements Document (PRD)\n\n![🧭](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f9ed/32.png) 1. Executive Summary\n\nThe Linked Art Web Application is a modern, standards‑compliant platform for ingesting, transforming, validating, and publishing cultural heritage data using the Linked Art profile, a JSON‑LD implementation of the CIDOC‑CRM ontology.\n\nLinked Art intentionally reduces the complexity of CIDOC‑CRM while retaining its expressive power — covering 90% of real museum use cases with ~10% of the complexity.\n\nThis application enables museums, archives, libraries, and research institutions to publish interoperable, event‑based cultural heritage data for public access, scholarly research, and cross‑institutional aggregation.\n\n![🧩](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f9e9/32.png) 2. Problem Statement\n\nCIDOC‑CRM is powerful but extremely complex, containing dozens of classes and hundreds of relationships. Most institutions lack the resources to implement it directly.\n\nLinked Art provides a practical, interoperable subset of CRM, but institutions still need:\n\n A turnkey ingestion pipeline\n\n A validation and mapping engine\n\n A searchable public interface\n\n A JSON‑LD API\n\n A graph‑based visualization layer\n\nThis PRD defines a complete system that solves these gaps.\n\n![🎯](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f3af/32.png) 3. Goals & Non‑Goals\n\nGoals\n\n Publish cultural heritage data in Linked Art JSON‑LD format.\n\n Provide a complete ETL pipeline: ingest → map → validate → publish.\n\n Offer a public search and browsing interface.\n\n Support event‑based modeling (production, acquisition, attribution, etc.).\n\n Ensure interoperability with other Linked Art and IIIF systems.\n\n Provide developer‑friendly APIs for reuse and integration.\n\n Enable research workflows through graph and timeline visualizations.\n\nNon‑Goals\n\n Full implementation of the entire CIDOC‑CRM ontology (intentionally avoided to maintain simplicity).\n\n Acting as a collections management system (CMS).\n\n Providing image hosting (integrates with IIIF instead).\n\n![👥](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f465/32.png) 4. User Personas\n\n![🖼️](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f5bc_fe0f/32.png) Museum Curator\n\nNeeds to publish authoritative object metadata and provenance.\n\n![🧪](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f9ea/32.png) Digital Humanities Researcher\n\nNeeds structured, event‑based data for analysis and visualization.\n\n![🛠️](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f6e0_fe0f/32.png) Software Developer\n\nNeeds clean JSON‑LD APIs for integration with external systems.\n\n![🏛️](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f3db_fe0f/32.png) Cultural Heritage Institution\n\nNeeds a standards‑compliant, low‑maintenance publishing platform.\n\n![🔄](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f504/32.png) 5. User Flows\n\n5.1 Data Ingestion Flow\n\n1 Upload source data (CSV, JSON API, XML).\n\n2 System maps fields to Linked Art patterns.\n\n3 Validation engine checks conformance.\n\n4 User reviews and resolves any reconciliation conflicts.\n\n5 Data is published as JSON‑LD.\n\n5.2 Public Browsing Flow\n\n1 User searches for an object, person, or event.\n\n2 Results appear with facets (type, date, location).\n\n3 User opens a detail page.\n\n4 Page displays Linked Art JSON‑LD, images, events, relationships.\n\n5 User explores graph or timeline views.\n\n![🧱](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f9f1/32.png) 6. Functional Requirements\n\n6.1 ETL Pipeline\n\nBased on real Linked Art workflows, which include source → mapped → Linked Art JSON‑LD stages.\n\n Source ingestion: Accept JSON API, CSV, XML.\n\n Mapping engine: Transform source data into intermediate model.\n\n Linked Art generator: Produce final JSON‑LD.\n\n Validation: Ensure strict conformance with the Linked Art profile.\n\n Reconciliation Engine: Deduplicate agents, places, and concepts by mapping against external authorities (Getty ULAN, AAT, TGN, Wikidata). Flag conflicts for manual review in the Admin UI.\n\n Versioning: Track changes and updates over time.\n\n6.2 JSON‑LD API\n\n REST endpoints for objects, agents, events, places.\n\n JSON‑LD ⁠@context⁠ support.\n\n Pagination, filtering, faceting.\n\n Graph expansion (⁠?expand=events,actors⁠).\n\n IIIF image linking.\n\n6.3 Search & Discovery\n\n Full‑text search.\n\n Faceted navigation.\n\n Autocomplete.\n\n Timeline view.\n\n Network graph view.\n\n6.4 Admin Interface\n\n Upload datasets.\n\n Review validation errors and reconciliation conflicts.\n\n Approve publication.\n\n Manage field mappings.\n\n![⚙️](https://fonts.gstatic.com/s/e/notoemoji/17.0/2699_fe0f/32.png) 7. Non‑Functional Requirements\n\nPerformance\n\n Ingest 10k objects under 5 minutes.\n\n API responses < 200ms for common queries.\n\nReliability\n\n 99.9% uptime.\n\n Automatic retries for ingestion jobs.\n\nSecurity & API Governance\n\n Access Control: Role‑based access control (RBAC) for the Admin interface.\n\n Audit Logs: Track all data ingestion and mapping changes.\n\n Rate Limiting: Throttling policies (e.g., 100 requests/minute per IP) to protect the database from expensive SPARQL/Graph expansion queries.\n\n CORS: Configurable Cross-Origin Resource Sharing policies for external web integrations.\n\n API Keys: Provisioning for developer tiers allowing higher rate limits.\n\nAccessibility\n\n WCAG 2.1 AA compliance for all public UI views.\n\n![🧬](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f9ec/32.png) 8. Data Model\n\n8.1 Standards\n\n Linked Art: JSON‑LD profile built on CIDOC‑CRM.\n\n CIDOC‑CRM: Event‑based ontology for cultural heritage.\n\n JSON‑LD: Serialization format for Linked Data.\n\n8.2 Core Entities\n\n HumanMadeObject\n\n Person / Group\n\n Production / Acquisition Events\n\n Place\n\n DigitalObject (IIIF)\n\n8.3 Required Patterns\n\n Event‑based modeling.\n\n Identifiers & references.\n\n Multilingual labels.\n\n Provenance chains.\n\n![🔧](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f527/32.png) 9. ETL Requirements (Detailed)\n\nBased on real Linked Art workflows: source → mapped → Linked Art.\n\nSource Data\n\n JSON API (e.g., PIA API).\n\n CSV exports from existing CMS.\n\n XML from legacy systems.\n\nMapping Layer\n\n Extract relevant fields.\n\n Normalize dates, names, identifiers.\n\n Map to Linked Art patterns.\n\nLinked Art Output\n\n JSON‑LD with correct ⁠@context⁠.\n\n Conformance to Linked Art profile.\n\n Stable, dereferenceable URIs.\n\n![🛠️](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f6e0_fe0f/32.png) 10. API Requirements\n\nEndpoints\n\n ⁠/objects⁠\n\n ⁠/agents⁠\n\n ⁠/events⁠\n\n ⁠/places⁠\n\n ⁠/search⁠\n\nFeatures\n\n JSON‑LD framing.\n\n Filtering (⁠?type=painting&date=1500-1600⁠).\n\n Sorting.\n\n Graph expansion.\n\n![🖥️](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f5a5_fe0f/32.png) 11. Frontend Requirements\n\nSearch Interface\n\n Keyword search.\n\n Facets: type, date, location, material.\n\nObject Detail Page\n\n Title, description, IIIF images.\n\n Production event.\n\n Attribution.\n\n Provenance.\n\n Related objects.\n\nVisualizations\n\n Timeline.\n\n Network graph.\n\n Map view.\n\n![🗺️](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f5fa_fe0f/32.png) 12. Implementation Roadmap & Phasing\n\nPhase 1: MVP (Core Foundation)\n\n Goal: Establish the underlying data architecture and public read access.\n\n Deliverables: Core JSON-LD API, rigid CSV ingestion (pre-mapped), basic search interface, and IIIF image integration.\n\nPhase 2: The Publishing Engine (ETL Focus)\n\n Goal: Allow non-technical curators to ingest and publish data independently.\n\n Deliverables: Full Admin interface, robust mapping engine, JSON/XML ingestion, automated validation checks, and the reconciliation engine (Getty ULAN/Wikidata).\n\nPhase 3: Research & Discovery (Advanced UI)\n\n Goal: Unlock the full potential of event-based semantic data.\n\n Deliverables: Network graph views, interactive timelines, map views for geographic provenance, and advanced API graph expansion (⁠?expand=⁠).\n\n![🧪](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f9ea/32.png) 13. TDD Requirements\n\nTest Coverage\n\n ETL mapping tests.\n\n JSON‑LD validation tests.\n\n API contract tests.\n\n UI component tests.\n\n Accessibility tests.\n\nAcceptance Criteria\n\n Every Linked Art entity must validate against the profile.\n\n Every API endpoint must return valid JSON‑LD.\n\n Every ingestion must produce deterministic output.\n\n![📏](https://fonts.gstatic.com/s/e/notoemoji/17.0/1f4cf/32.png) 14. Success Metrics\n\nTechnical\n\n 100% JSON‑LD validation pass rate.\n\n <1% ingestion error rate.\n\n <200ms API response time.\n\nUser Experience\n\n 90% successful search rate.\n\n 80% of users find the desired object within 3 clicks.\n\nAdoption\n\n Integration with at least 3 external Linked Art systems.\n\n![⚠️](https://fonts.gstatic.com/s/e/notoemoji/17.0/26a0_fe0f/32.png) 15. Risks & Dependencies\n\nRisks\n\n Source data quality from legacy CMS varies widely and requires heavy normalization.\n\n Institutions may lack compliant IIIF servers for image fetching.\n\n CIDOC‑CRM updates may require upstream model changes.\n\nDependencies\n\n Linked Art specification.\n\n CIDOC‑CRM ontology.\n\n IIIF Image API.\n\n External data sources and authority files (Getty Vocabularies, Wikidata).","sections":[{"level":2,"heading":"**State‑of‑the‑Art Linked Art Web Application**","anchor":"state-of-the-art-linked-art-web-application"},{"level":2,"heading":"🎯 **1. Product Vision & Objectives**","anchor":"1-product-vision-objectives"},{"level":2,"heading":"👥 **2. Target Audience & Personas**","anchor":"2-target-audience-personas"},{"level":3,"heading":"🏛️ **Data Creators & Catalogers**","anchor":"data-creators-catalogers"},{"level":3,"heading":"💻 **Developers & Data Consumers**","anchor":"developers-data-consumers"},{"level":3,"heading":"🔍 **Researchers & Public Users**","anchor":"researchers-public-users"},{"level":2,"heading":"🚀 **3. Key Features & Functionality**","anchor":"3-key-features-functionality"},{"level":3,"heading":"A. 🏗️ Backend Data Management & Ingestion","anchor":"a-backend-data-management-ingestion"},{"level":3,"heading":"B. 🔎 Discovery & Search Architecture","anchor":"b-discovery-search-architecture"},{"level":3,"heading":"C. 🎨 Advanced UI & Visualizations","anchor":"c-advanced-ui-visualizations"},{"level":2,"heading":"🧩 **4. Data Architecture & Modeling**","anchor":"4-data-architecture-modeling"},{"level":3,"heading":"1. 🤖 Inject Modern \"SOTA\" AI & Data Capabilities","anchor":"1-inject-modern-sota-ai-data-capabilities"},{"level":3,"heading":"2. 🏛️ Strengthen Cultural Heritage Domain Specifics","anchor":"2-strengthen-cultural-heritage-domain-specifics"},{"level":3,"heading":"3. 📊 Add Missing \"Product Management\" Sections","anchor":"3-add-missing-product-management-sections"},{"level":3,"heading":"📝 How the Improved Sections Look in the PRD:","anchor":"how-the-improved-sections-look-in-the-prd"},{"level":4,"heading":"**🆕 5. Syndication & Interoperability**","anchor":"5-syndication-interoperability"},{"level":4,"heading":"**🆕 6. Modern AI & Machine Learning Enhancements**","anchor":"6-modern-ai-machine-learning-enhancements"},{"level":4,"heading":"**🆕 7. Success Metrics & KPIs**","anchor":"7-success-metrics-kpis"},{"level":4,"heading":"**🆕 8. Out of Scope (For MVP)**","anchor":"8-out-of-scope-for-mvp"},{"level":3,"heading":"Where to go next?","anchor":"where-to-go-next"}],"html":"<h1 id=\"product-requirements-document\">🖼️ Product Requirements Document</h1>\n<h2 id=\"state-of-the-art-linked-art-web-application\"><strong>State‑of‑the‑Art Linked Art Web Application</strong></h2>\n<p>---</p>\n<h2 id=\"1-product-vision-objectives\">🎯 <strong>1. Product Vision &amp; Objectives</strong></h2>\n<p>The goal is to build a <strong>state‑of‑the‑art cross‑collection discovery platform</strong> powered by the <strong>Linked Art</strong> data model (a profile of <strong>CIDOC‑CRM</strong>) to unify cultural heritage data across museums, libraries, and archives.</p>\n<p>The platform emphasizes:</p>\n<ul><li><strong>Maximizing usable open data</strong>  </li><li><strong>Balancing ontological rigor with developer accessibility</strong>  </li><li><strong>Supporting ~90% of common cultural heritage use cases</strong> without forcing unnecessary semantic complexity  </li></ul>\n<p>---</p>\n<h2 id=\"2-target-audience-personas\">👥 <strong>2. Target Audience &amp; Personas</strong></h2>\n<h3 id=\"data-creators-catalogers\">🏛️ <strong>Data Creators &amp; Catalogers</strong></h3>\n<p>Museum and library staff who need intuitive backend interfaces to create semantic relationships <strong>without touching raw JSON‑LD</strong>.</p>\n<h3 id=\"developers-data-consumers\">💻 <strong>Developers &amp; Data Consumers</strong></h3>\n<p>Technologists who require predictable, well‑structured <strong>JSON‑LD REST APIs</strong> for downstream apps, UI layers, and integrations.</p>\n<h3 id=\"researchers-public-users\">🔍 <strong>Researchers &amp; Public Users</strong></h3>\n<p>End users who want <strong>visual, exploratory discovery tools</strong> that hide graph complexity while surfacing rich contextual connections across institutions.</p>\n<p>---</p>\n<h2 id=\"3-key-features-functionality\">🚀 <strong>3. Key Features &amp; Functionality</strong></h2>\n<h3 id=\"a-backend-data-management-ingestion\">A. 🏗️ Backend Data Management &amp; Ingestion</h3>\n<p>  Use an Arches‑based framework (e.g., <strong>Ogee</strong>) to provide user‑friendly forms that automatically generate Linked Art‑compliant JSON‑LD.</p>\n<ul><li><strong>Semantic Abstraction UI(ca://s?q=Explain_Semantic_Abstraction_UI)</strong>  </li></ul>\n<p>  Pipelines reconcile legacy strings against <strong>Getty AAT/ULAN/TGN</strong>, <strong>LoC</strong>, and <strong>Wikidata</strong>.</p>\n<ul><li><strong>Automated Authority Reconciliation(ca://s?q=Describe_Authority_Reconciliation)</strong>  </li></ul>\n<p>  ETL pipelines convert flat CMS exports (XML/JSON/CSV) into structured Linked Art nodes.</p>\n<ul><li><strong>Legacy Data Transformation(ca://s?q=Legacy_Data_Transformation_ETL)</strong>  </li></ul>\n<p>---</p>\n<h3 id=\"b-discovery-search-architecture\">B. 🔎 Discovery &amp; Search Architecture</h3>\n<p>  Support both:</p>\n<ul><li><strong>Hybrid Datastore(ca://s?q=Hybrid_Datastore_Architecture)</strong>  </li><li>JSON‑LD document storage (fast faceted search)  </li><li>Triple stores (deep graph querying)</li></ul>\n<p>  Enable multi‑entity, cross‑collection questions such as:  </p>\n<p>  <em>“Find works by European artists depicting the American West in the 19th century.”</em></p>\n<ul><li><strong>Advanced Graph Querying(ca://s?q=Advanced_Graph_Querying)</strong>  </li></ul>\n<p>---</p>\n<h3 id=\"c-advanced-ui-visualizations\">C. 🎨 Advanced UI &amp; Visualizations</h3>\n<p>  First‑class pages for people, places, and concepts enriched with Wikidata/dbPedia context.</p>\n<ul><li><strong>Entity Knowledge Panels(ca://s?q=Entity_Knowledge_Panels)</strong>  </li></ul>\n<p>  Dynamic browsing of large datasets (e.g., artists by birth year, exhibition histories).</p>\n<ul><li><strong>Interactive Concertina Lists &amp;amp; Histograms(ca://s?q=Concertina_Lists_and_Histograms)</strong>  </li></ul>\n<p>  Zoomable timelines + map layers linked to gazetteers like <strong>PeriodO</strong>.</p>\n<ul><li><strong>Overlapping Timelines &amp;amp; Interactive Maps(ca://s?q=Linked_Art_Timeline_and_Map_Visualizations)</strong>  </li></ul>\n<p>  Deep zoom, high‑resolution viewing, and side‑by‑side comparisons.</p>\n<ul><li><strong>IIIF Image Integration(ca://s?q=IIIF_Integration_Overview)</strong>  </li></ul>\n<p>---</p>\n<h2 id=\"4-data-architecture-modeling\">🧩 <strong>4. Data Architecture &amp; Modeling</strong></h2>\n<p>  Shift from object‑centric to <strong>activity‑centric</strong> modeling: production, provenance, exhibitions, etc.</p>\n<ul><li><strong>Event‑Centric Structure(ca://s?q=Event_Centric_Modeling_Linked_Art)</strong>  </li></ul>\n<p>  Distinguish:</p>\n<p>  Prevents redundant data entry and improves reuse.</p>\n<ul><li><strong>Entity Separation(ca://s?q=Entity_Separation_in_Linked_Art)</strong>  </li><li>Physical object  </li><li>Visual item  </li><li>Digital object  </li></ul>\n<p>  Enforce hierarchical concept vocabularies for seamless navigation and faceted filtering.</p>\n<ul><li><strong>Standardized Vocabulary Integration(ca://s?q=Standardized_Vocabulary_Integration)</strong>  </li></ul>\n<p>---</p>\n<p>If you&#39;d like, I can also generate:</p>\n<ul><li>a <strong>diagrammatic architecture map</strong>,  </li><li>a <strong>feature‑to‑persona matrix</strong>,  </li><li>or a <strong>roadmap with milestones</strong>.</li></ul>\n<p>This is a very strong baseline PRD that accurately captures the core philosophy of Linked Art (CIDOC-CRM profile), its dual audience, and the necessary tech stack.</p>\n<p>However, to make this truly <strong>State-of-the-Art (SOTA)</strong> for modern software development and current cultural heritage standards, we need to bridge the gap between traditional semantic web technologies and modern AI/data paradigms, while also filling out standard PRD structural gaps (KPIs, Risks, Out-of-Scope).</p>\n<p>Here is how we can improve and elevate this PRD:</p>\n<h3 id=\"1-inject-modern-sota-ai-data-capabilities\">1. 🤖 Inject Modern &quot;SOTA&quot; AI &amp; Data Capabilities</h3>\n<p>The current PRD describes a standard 2020-era Linked Art implementation. To make it cutting-edge, integrate these features:</p>\n<ul><li><strong>AI-Assisted Legacy ETL &amp; Mapping:</strong> Mapping legacy CMS data (TMS, EMu, Adlib) to CIDOC-CRM is notoriously difficult. Add an <strong>LLM-assisted mapping pipeline</strong> that analyzes legacy data schemas and suggests Linked Art JSON-LD mappings.</li></ul>\n<ul><li><strong>Natural Language to Graph (NL2Graph):</strong> Instead of expecting researchers to write SPARQL or complex API queries, integrate an LLM layer that translates natural language questions (&quot;Find works by female European artists exhibiting in Paris before 1900&quot;) directly into graph queries.</li></ul>\n<ul><li><strong>Graph RAG (Retrieval-Augmented Generation):</strong> Combine the structured knowledge graph with vector databases to allow users to &quot;chat with the collection,&quot; backed by verifiable CIDOC-CRM citations to prevent hallucinations.</li></ul>\n<h3 id=\"2-strengthen-cultural-heritage-domain-specifics\">2. 🏛️ Strengthen Cultural Heritage Domain Specifics</h3>\n<ul><li><strong>Activity Streams for Data Syndication:</strong> Linked Art relies heavily on the <strong>ActivityStreams</strong> specification to sync data between institutions. Your PRD needs a section on how this platform publishes and consumes data updates.</li></ul>\n<ul><li><strong>Deep Provenance Modeling:</strong> Emphasize the modeling of <strong>ownership history</strong>. Provenance is a massive use case for Linked Art; the UI must support visualizing chronological chains of ownership, identifying gaps, and flagging red-flag eras (e.g., WWII-era spoliation).</li></ul>\n<ul><li><strong>Rights &amp; Licensing Statements:</strong> Explicitly include support for <strong>RightsStatements.org</strong> and Creative Commons in the data model. Discovery is useless if developers don&#39;t know if they can legally use the image.</li></ul>\n<h3 id=\"3-add-missing-product-management-sections\">3. 📊 Add Missing &quot;Product Management&quot; Sections</h3>\n<p>A professional PRD needs to define what success looks like and what could go wrong.</p>\n<ul><li><strong>Success Metrics (KPIs):</strong></li></ul>\n<ul><li>Data Quality: % of records successfully reconciled to Getty AAT/ULAN.</li></ul>\n<ul><li>Performance: API response time &lt; 200ms for hybrid graph queries.</li></ul>\n<ul><li>Adoption: Number of external API calls, Monthly Active Users (MAU) on the discovery portal.</li></ul>\n<ul><li><strong>Non-Functional Requirements (NFRs):</strong> Accessibility (WCAG 2.1 AA compliant—crucial for museums), internationalization (i18n), and mobile-responsive UI.</li></ul>\n<ul><li><strong>Out of Scope:</strong> Explicitly state what you are not building (e.g., &quot;This is NOT a replacement for the museum&#39;s core Collections Management System (CMS). It is a downstream publication layer.&quot;)</li></ul>\n<ul><li><strong>Risks &amp; Mitigations:</strong> Mention the steep learning curve of CIDOC-CRM and mitigate it via the &quot;Semantic Abstraction UI&quot; you outlined.</li></ul>\n<p>---</p>\n<h3 id=\"how-the-improved-sections-look-in-the-prd\">📝 How the Improved Sections Look in the PRD:</h3>\n<p>Add the following sections to your document to instantly elevate it:</p>\n<h4 id=\"5-syndication-interoperability\"><strong>🆕 5. Syndication &amp; Interoperability</strong></h4>\n<ul><li><strong>ActivityStreams Integration:</strong> Implement a W3C ActivityStreams endpoint to broadcast creations, updates, and deletions. This allows external aggregators to &quot;subscribe&quot; to the museum&#39;s data changes in real-time.</li></ul>\n<ul><li><strong>Jupyter Notebook &amp; Data Dumps:</strong> Provide automated, regular JSON-LD data dumps and maintain a repository of Jupyter Notebooks demonstrating how researchers can query the dataset natively in Python.</li></ul>\n<h4 id=\"6-modern-ai-machine-learning-enhancements\"><strong>🆕 6. Modern AI &amp; Machine Learning Enhancements</strong></h4>\n<ul><li><strong>LLM-Assisted Reconciliation:</strong> Utilize fine-tuned models to assist catalogers in reconciling ambiguous entity names against Wikidata and Getty vocabularies, reducing manual data entry.</li></ul>\n<ul><li><strong>Semantic Vector Search:</strong> Complement the exact-match graph querying with vector search (embeddings of artwork descriptions and visual IIIF features) to enable &quot;find similar artworks&quot; functionality even without perfect metadata.</li></ul>\n<h4 id=\"7-success-metrics-kpis\"><strong>🆕 7. Success Metrics &amp; KPIs</strong></h4>\n<ul><li><strong>Data Enrichment:</strong> &gt;80% of imported records enriched with at least 3 external URIs (ULAN, AAT, TGN).</li></ul>\n<ul><li><strong>API Performance:</strong> 95th percentile query response time under 300ms.</li></ul>\n<ul><li><strong>System Uptime:</strong> 99.9% uptime for the public-facing IIIF and JSON-LD endpoints.</li></ul>\n<h4 id=\"8-out-of-scope-for-mvp\"><strong>🆕 8. Out of Scope (For MVP)</strong></h4>\n<ul><li>Replacing the institution&#39;s primary CMS (e.g., TMS, EMu, or Qi).</li></ul>\n<ul><li>Native ingestion of raw audio/video files (focusing strictly on IIIF image and text metadata for MVP).</li></ul>\n<p>---</p>\n<h3 id=\"where-to-go-next\">Where to go next?</h3>\n<p>I recommend generating the <strong>Diagrammatic Architecture Map</strong> next.</p>\n<p>Because we are talking about a hybrid datastore (Triple Store + Document DB), an ETL pipeline from legacy CMS systems, IIIF servers, and a new AI query layer, visualizing how data flows from the Museum CMS ➡️ ETL Pipeline ➡️ Linked Art Graph ➡️ React/Next.js Frontend is the most crucial next step to get engineering buy-in.</p>\n<p>Would you like me to map out that Architecture Diagram detailing the specific modern tech stack (e.g., Elasticsearch + Blazegraph/Neptune + Next.js + IIIF Image Server)?</p>\n<p>Here is the upgraded 10/10 PRD.</p>\n<p>I have removed the residual citation markers, added a concrete 3-phase rollout roadmap, explicitly defined the reconciliation logic (using external authorities), and established strict API security and rate-limiting requirements to protect the database from heavy graph queries.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f3a8/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🎨</a> Linked Art Web Application — Product Requirements Document (PRD)</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f9ed/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🧭</a> 1. Executive Summary</p>\n<p>The Linked Art Web Application is a modern, standards‑compliant platform for ingesting, transforming, validating, and publishing cultural heritage data using the Linked Art profile, a JSON‑LD implementation of the CIDOC‑CRM ontology.</p>\n<p>Linked Art intentionally reduces the complexity of CIDOC‑CRM while retaining its expressive power — covering 90% of real museum use cases with ~10% of the complexity.</p>\n<p>This application enables museums, archives, libraries, and research institutions to publish interoperable, event‑based cultural heritage data for public access, scholarly research, and cross‑institutional aggregation.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f9e9/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🧩</a> 2. Problem Statement</p>\n<p>CIDOC‑CRM is powerful but extremely complex, containing dozens of classes and hundreds of relationships. Most institutions lack the resources to implement it directly.</p>\n<p>Linked Art provides a practical, interoperable subset of CRM, but institutions still need:</p>\n<p> A turnkey ingestion pipeline</p>\n<p> A validation and mapping engine</p>\n<p> A searchable public interface</p>\n<p> A JSON‑LD API</p>\n<p> A graph‑based visualization layer</p>\n<p>This PRD defines a complete system that solves these gaps.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f3af/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🎯</a> 3. Goals &amp; Non‑Goals</p>\n<p>Goals</p>\n<p> Publish cultural heritage data in Linked Art JSON‑LD format.</p>\n<p> Provide a complete ETL pipeline: ingest → map → validate → publish.</p>\n<p> Offer a public search and browsing interface.</p>\n<p> Support event‑based modeling (production, acquisition, attribution, etc.).</p>\n<p> Ensure interoperability with other Linked Art and IIIF systems.</p>\n<p> Provide developer‑friendly APIs for reuse and integration.</p>\n<p> Enable research workflows through graph and timeline visualizations.</p>\n<p>Non‑Goals</p>\n<p> Full implementation of the entire CIDOC‑CRM ontology (intentionally avoided to maintain simplicity).</p>\n<p> Acting as a collections management system (CMS).</p>\n<p> Providing image hosting (integrates with IIIF instead).</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f465/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">👥</a> 4. User Personas</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f5bc_fe0f/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🖼️</a> Museum Curator</p>\n<p>Needs to publish authoritative object metadata and provenance.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f9ea/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🧪</a> Digital Humanities Researcher</p>\n<p>Needs structured, event‑based data for analysis and visualization.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f6e0_fe0f/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🛠️</a> Software Developer</p>\n<p>Needs clean JSON‑LD APIs for integration with external systems.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f3db_fe0f/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🏛️</a> Cultural Heritage Institution</p>\n<p>Needs a standards‑compliant, low‑maintenance publishing platform.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f504/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🔄</a> 5. User Flows</p>\n<p>5.1 Data Ingestion Flow</p>\n<p>1 Upload source data (CSV, JSON API, XML).</p>\n<p>2 System maps fields to Linked Art patterns.</p>\n<p>3 Validation engine checks conformance.</p>\n<p>4 User reviews and resolves any reconciliation conflicts.</p>\n<p>5 Data is published as JSON‑LD.</p>\n<p>5.2 Public Browsing Flow</p>\n<p>1 User searches for an object, person, or event.</p>\n<p>2 Results appear with facets (type, date, location).</p>\n<p>3 User opens a detail page.</p>\n<p>4 Page displays Linked Art JSON‑LD, images, events, relationships.</p>\n<p>5 User explores graph or timeline views.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f9f1/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🧱</a> 6. Functional Requirements</p>\n<p>6.1 ETL Pipeline</p>\n<p>Based on real Linked Art workflows, which include source → mapped → Linked Art JSON‑LD stages.</p>\n<p> Source ingestion: Accept JSON API, CSV, XML.</p>\n<p> Mapping engine: Transform source data into intermediate model.</p>\n<p> Linked Art generator: Produce final JSON‑LD.</p>\n<p> Validation: Ensure strict conformance with the Linked Art profile.</p>\n<p> Reconciliation Engine: Deduplicate agents, places, and concepts by mapping against external authorities (Getty ULAN, AAT, TGN, Wikidata). Flag conflicts for manual review in the Admin UI.</p>\n<p> Versioning: Track changes and updates over time.</p>\n<p>6.2 JSON‑LD API</p>\n<p> REST endpoints for objects, agents, events, places.</p>\n<p> JSON‑LD ⁠@context⁠ support.</p>\n<p> Pagination, filtering, faceting.</p>\n<p> Graph expansion (⁠?expand=events,actors⁠).</p>\n<p> IIIF image linking.</p>\n<p>6.3 Search &amp; Discovery</p>\n<p> Full‑text search.</p>\n<p> Faceted navigation.</p>\n<p> Autocomplete.</p>\n<p> Timeline view.</p>\n<p> Network graph view.</p>\n<p>6.4 Admin Interface</p>\n<p> Upload datasets.</p>\n<p> Review validation errors and reconciliation conflicts.</p>\n<p> Approve publication.</p>\n<p> Manage field mappings.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/2699_fe0f/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">⚙️</a> 7. Non‑Functional Requirements</p>\n<p>Performance</p>\n<p> Ingest 10k objects under 5 minutes.</p>\n<p> API responses &lt; 200ms for common queries.</p>\n<p>Reliability</p>\n<p> 99.9% uptime.</p>\n<p> Automatic retries for ingestion jobs.</p>\n<p>Security &amp; API Governance</p>\n<p> Access Control: Role‑based access control (RBAC) for the Admin interface.</p>\n<p> Audit Logs: Track all data ingestion and mapping changes.</p>\n<p> Rate Limiting: Throttling policies (e.g., 100 requests/minute per IP) to protect the database from expensive SPARQL/Graph expansion queries.</p>\n<p> CORS: Configurable Cross-Origin Resource Sharing policies for external web integrations.</p>\n<p> API Keys: Provisioning for developer tiers allowing higher rate limits.</p>\n<p>Accessibility</p>\n<p> WCAG 2.1 AA compliance for all public UI views.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f9ec/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🧬</a> 8. Data Model</p>\n<p>8.1 Standards</p>\n<p> Linked Art: JSON‑LD profile built on CIDOC‑CRM.</p>\n<p> CIDOC‑CRM: Event‑based ontology for cultural heritage.</p>\n<p> JSON‑LD: Serialization format for Linked Data.</p>\n<p>8.2 Core Entities</p>\n<p> HumanMadeObject</p>\n<p> Person / Group</p>\n<p> Production / Acquisition Events</p>\n<p> Place</p>\n<p> DigitalObject (IIIF)</p>\n<p>8.3 Required Patterns</p>\n<p> Event‑based modeling.</p>\n<p> Identifiers &amp; references.</p>\n<p> Multilingual labels.</p>\n<p> Provenance chains.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f527/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🔧</a> 9. ETL Requirements (Detailed)</p>\n<p>Based on real Linked Art workflows: source → mapped → Linked Art.</p>\n<p>Source Data</p>\n<p> JSON API (e.g., PIA API).</p>\n<p> CSV exports from existing CMS.</p>\n<p> XML from legacy systems.</p>\n<p>Mapping Layer</p>\n<p> Extract relevant fields.</p>\n<p> Normalize dates, names, identifiers.</p>\n<p> Map to Linked Art patterns.</p>\n<p>Linked Art Output</p>\n<p> JSON‑LD with correct ⁠@context⁠.</p>\n<p> Conformance to Linked Art profile.</p>\n<p> Stable, dereferenceable URIs.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f6e0_fe0f/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🛠️</a> 10. API Requirements</p>\n<p>Endpoints</p>\n<p> ⁠/objects⁠</p>\n<p> ⁠/agents⁠</p>\n<p> ⁠/events⁠</p>\n<p> ⁠/places⁠</p>\n<p> ⁠/search⁠</p>\n<p>Features</p>\n<p> JSON‑LD framing.</p>\n<p> Filtering (⁠?type=painting&amp;date=1500-1600⁠).</p>\n<p> Sorting.</p>\n<p> Graph expansion.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f5a5_fe0f/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🖥️</a> 11. Frontend Requirements</p>\n<p>Search Interface</p>\n<p> Keyword search.</p>\n<p> Facets: type, date, location, material.</p>\n<p>Object Detail Page</p>\n<p> Title, description, IIIF images.</p>\n<p> Production event.</p>\n<p> Attribution.</p>\n<p> Provenance.</p>\n<p> Related objects.</p>\n<p>Visualizations</p>\n<p> Timeline.</p>\n<p> Network graph.</p>\n<p> Map view.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f5fa_fe0f/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🗺️</a> 12. Implementation Roadmap &amp; Phasing</p>\n<p>Phase 1: MVP (Core Foundation)</p>\n<p> Goal: Establish the underlying data architecture and public read access.</p>\n<p> Deliverables: Core JSON-LD API, rigid CSV ingestion (pre-mapped), basic search interface, and IIIF image integration.</p>\n<p>Phase 2: The Publishing Engine (ETL Focus)</p>\n<p> Goal: Allow non-technical curators to ingest and publish data independently.</p>\n<p> Deliverables: Full Admin interface, robust mapping engine, JSON/XML ingestion, automated validation checks, and the reconciliation engine (Getty ULAN/Wikidata).</p>\n<p>Phase 3: Research &amp; Discovery (Advanced UI)</p>\n<p> Goal: Unlock the full potential of event-based semantic data.</p>\n<p> Deliverables: Network graph views, interactive timelines, map views for geographic provenance, and advanced API graph expansion (⁠?expand=⁠).</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f9ea/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">🧪</a> 13. TDD Requirements</p>\n<p>Test Coverage</p>\n<p> ETL mapping tests.</p>\n<p> JSON‑LD validation tests.</p>\n<p> API contract tests.</p>\n<p> UI component tests.</p>\n<p> Accessibility tests.</p>\n<p>Acceptance Criteria</p>\n<p> Every Linked Art entity must validate against the profile.</p>\n<p> Every API endpoint must return valid JSON‑LD.</p>\n<p> Every ingestion must produce deterministic output.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/1f4cf/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">📏</a> 14. Success Metrics</p>\n<p>Technical</p>\n<p> 100% JSON‑LD validation pass rate.</p>\n<p> &lt;1% ingestion error rate.</p>\n<p> &lt;200ms API response time.</p>\n<p>User Experience</p>\n<p> 90% successful search rate.</p>\n<p> 80% of users find the desired object within 3 clicks.</p>\n<p>Adoption</p>\n<p> Integration with at least 3 external Linked Art systems.</p>\n<p>!<a href=\"https://fonts.gstatic.com/s/e/notoemoji/17.0/26a0_fe0f/32.png\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"doc-link\">⚠️</a> 15. Risks &amp; Dependencies</p>\n<p>Risks</p>\n<p> Source data quality from legacy CMS varies widely and requires heavy normalization.</p>\n<p> Institutions may lack compliant IIIF servers for image fetching.</p>\n<p> CIDOC‑CRM updates may require upstream model changes.</p>\n<p>Dependencies</p>\n<p> Linked Art specification.</p>\n<p> CIDOC‑CRM ontology.</p>\n<p> IIIF Image API.</p>\n<p> External data sources and authority files (Getty Vocabularies, Wikidata).</p>","updatedAt":"2018-10-20T01:46:40.000Z","checksum":"91bc1f37307c179b3b81e97435bbe3f953761f2a1e67930ed5af1e510c0f8269","checksumPrefix":"91bc1f37307c","anchorCount":20,"lineCount":566,"rawUrl":"/api/docs/content?path=linked-art%2FLinkedArtPRD.md","htmlUrl":"/docs?doc=linked-art%2FLinkedArtPRD.md","apiUrl":"/api/docs/content?path=linked-art%2FLinkedArtPRD.md"}